{"id":3563,"date":"2021-10-12T15:33:15","date_gmt":"2021-10-12T12:33:15","guid":{"rendered":"https:\/\/2021.adaf.gr\/?p=3563"},"modified":"2021-11-20T22:40:47","modified_gmt":"2021-11-20T20:40:47","slug":"rheo","status":"publish","type":"post","link":"https:\/\/2021.adaf.gr\/el\/rheo\/","title":{"rendered":"Rheo"},"content":{"rendered":"<p>Rheo, greek word that means, to flow, to sprout, to run; is an experimental work that through the manipulation of archive materials gives us a flow of overlapping images, a reflection about the cycles in nature, life and death, about the simultaneity and the complexity of the spaces we inhabit.<\/p>\n<p><strong>Mateo Granillo (MX)<\/strong><br \/>\nMateo Granillo is a Mexican filmmaker. He studied \u2018Film Direction\u2019 at Centro de Capacitaci\u00f3n Cinematogr\u00e1fica A.C. (CCC) where he graduated with honors. He has directed the short-movies \u201cWhat is time?\u201d (Documentary in post-production), \u201cCaptain Blackbeard\u201d (2020) shortlisted for the BAFTA Student Film Awards 2020 and \u201cNecropolis, they will be ashes but still will feel\u201d (2016). Both of them were selected in several film festivals around the globe. He is also a film editor of numerous projects.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rheo, greek word that means, to flow, to sprout, to run; is an experimental work that through the manipulation of archive materials gives us a flow of overlapping images, a reflection about the cycles in nature, life and death, about the simultaneity and the complexity of the spaces we inhabit. Mateo Granillo (MX) Mateo Granillo [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":3564,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[68],"tags":[],"class_list":["post-3563","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-video-art-el"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":6}},"_links":{"self":[{"href":"https:\/\/2021.adaf.gr\/el\/wp-json\/wp\/v2\/posts\/3563","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/2021.adaf.gr\/el\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/2021.adaf.gr\/el\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/2021.adaf.gr\/el\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/2021.adaf.gr\/el\/wp-json\/wp\/v2\/comments?post=3563"}],"version-history":[{"count":1,"href":"https:\/\/2021.adaf.gr\/el\/wp-json\/wp\/v2\/posts\/3563\/revisions"}],"predecessor-version":[{"id":3566,"href":"https:\/\/2021.adaf.gr\/el\/wp-json\/wp\/v2\/posts\/3563\/revisions\/3566"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2021.adaf.gr\/el\/wp-json\/wp\/v2\/media\/3564"}],"wp:attachment":[{"href":"https:\/\/2021.adaf.gr\/el\/wp-json\/wp\/v2\/media?parent=3563"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/2021.adaf.gr\/el\/wp-json\/wp\/v2\/categories?post=3563"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2021.adaf.gr\/el\/wp-json\/wp\/v2\/tags?post=3563"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}