{"id":3189,"date":"2021-10-12T12:51:18","date_gmt":"2021-10-12T09:51:18","guid":{"rendered":"https:\/\/2021.adaf.gr\/?p=3189"},"modified":"2021-11-20T22:40:50","modified_gmt":"2021-11-20T20:40:50","slug":"fight-or-flight","status":"publish","type":"post","link":"https:\/\/2021.adaf.gr\/el\/fight-or-flight\/","title":{"rendered":"Fight or Flight"},"content":{"rendered":"<p>A woman maybe under attack.<br \/>\nA woman maybe invisible.<br \/>\nA woman maybe covered in gold.<br \/>\nA woman with a survival blanket.<br \/>\nA 360 camera, aimed to capture an objective view of reality, is used for the contrary; to visualize the<br \/>\nsubjective sense of reality. All angles are visible, everything is exposed and the viewer is invited to<br \/>\nimmerse into the subjectivity of emotional perception. At the same time, techniques from the beginning of<br \/>\nexperimental cinema -like overprinting and collage- are implemented in a structured and disciplined way<br \/>\naiming to illustrate what is not told. Artificial intelligence is utilized through computer-generated voice, and<br \/>\nvintage documentations through sound footage collage, bringing together two non-living sound sources;<br \/>\none lacking emotion and one bursting emotion.<\/p>\n<p><strong>Vanessa Ferle (GR), Anna Gradou\t(GR)<\/strong><br \/>\nThree interdisciplinary females studying new media arts; Vanessa Ferle -neuroscientist, graphic designer,<br \/>\nartist-, Anna Gradou -computer scientist, artist &#8211; &#038; Vicky Michalopoulou -civil engineer, performer-,<br \/>\naddress current issues through experimentation on new media in guerilla filmmaking.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A woman maybe under attack. A woman maybe invisible. A woman maybe covered in gold. A woman with a survival blanket. A 360 camera, aimed to capture an objective view of reality, is used for the contrary; to visualize the subjective sense of reality. All angles are visible, everything is exposed and the viewer is [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":3187,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[68],"tags":[],"class_list":["post-3189","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-video-art-el"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":6}},"_links":{"self":[{"href":"https:\/\/2021.adaf.gr\/el\/wp-json\/wp\/v2\/posts\/3189","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/2021.adaf.gr\/el\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/2021.adaf.gr\/el\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/2021.adaf.gr\/el\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/2021.adaf.gr\/el\/wp-json\/wp\/v2\/comments?post=3189"}],"version-history":[{"count":1,"href":"https:\/\/2021.adaf.gr\/el\/wp-json\/wp\/v2\/posts\/3189\/revisions"}],"predecessor-version":[{"id":3190,"href":"https:\/\/2021.adaf.gr\/el\/wp-json\/wp\/v2\/posts\/3189\/revisions\/3190"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2021.adaf.gr\/el\/wp-json\/wp\/v2\/media\/3187"}],"wp:attachment":[{"href":"https:\/\/2021.adaf.gr\/el\/wp-json\/wp\/v2\/media?parent=3189"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/2021.adaf.gr\/el\/wp-json\/wp\/v2\/categories?post=3189"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2021.adaf.gr\/el\/wp-json\/wp\/v2\/tags?post=3189"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}